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It was only a matter of time until a filmmaker flipped the shaky-cam, first-person-perspective approach to horror on its lid, giving a nifty makeover to the style used (or, overused?) in Cloverfield, Spain’s [Rec] and its stateside remake Quarantine, George A. Romero’s Diary of the Dead, Home Movie and Paranormal Activity, just to name a few. Though the film has yet to be seen by any critics, Uruguay-born director Gustavo Hernandez’s La Casa Muda (The Silent House) seems to be just that technique-changer. Shot on a recorder camera, Hernandez’s film is being promoted as the first ever horror movie to come presented as one continuous 78-minute take, a feature-long sequence without edits or jumps.

Ignoring the disappointing “based on a true story” angle, it’s not hard to be intrigued by the film’s premise, a haunted house yarn centered on a woman who, along with her father, moves into an old rundown cottage. On the particular night during which the film takes place, this father-and-daughter pair sleep within its walls in order wake up early the next morning and start the fix-up process. But, unfortunately, the cottage’s unfriendly forces come out to play.

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If the film’s plot doesn’t spark any anticipation, perhaps the effective trailer will, which can be seen over at Twitch Film.

Official The Silent House site: La Casa Muda

2 Responses to “Uruguay’s ‘The Silent House’ Stages Horror in Uninterrupted Real-Time”

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